This article originally appeared in New York Times
But among traditional cultures and throughout most of human history, she said, art has also been a profoundly communal affair, of harvest dances, religious pageants, quilting bees, the passionate town rivalries that gave us the spires of Chartres, Reims and Amiens. Art, she and others have proposed, did not arise to spotlight the few, but rather to summon the many to come join the parade. … Through singing, dancing, painting, telling fables of neurotic mobsters who visit psychiatrists, and otherwise engaging in what Ms. Dissanayake calls “artifying,” people can be quickly and ebulliently drawn together, and even strangers persuaded to treat one another as kin. Through the harmonic magic of art, the relative weakness of the individual can be traded up for the strength of the hive, cohered into a social unit ready to take on the world.
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